{"id":58384,"date":"2022-09-02T17:33:38","date_gmt":"2022-09-02T09:33:38","guid":{"rendered":"https:\/\/www-test.firstfilm.org.cn\/?p=58384"},"modified":"2022-09-02T17:33:38","modified_gmt":"2022-09-02T09:33:38","slug":"first-mart%c2%b7film-technique-workshop-3","status":"publish","type":"post","link":"https:\/\/www-test.firstfilm.org.cn\/en\/forum-en\/first-mart%c2%b7film-technique-workshop-3\/","title":{"rendered":"FIRST MART\u00b7FILM TECHNIQUE WORKSHOP"},"content":{"rendered":"\r\n<p style=\"font-weight: 400\">Technological changes continue to spread of the concept of film industry modernization. The excellence in content expression and technical exploration has led to the increasing refinement of the Chinese film production process and the gradual formation of a chain production model. The boundaries of content creation are being broken down, and audiovisuals are bringing more possibilities to the film industry. Within this inevitable trend, the position of young filmmakers and the difficulties they face are more concrete and urgent.<\/p>\r\n<p style=\"font-weight: 400\">By inviting industry professionals from various areas of film production, such as cinematography, production design, sound design, and editing, Film Technique Workshop shares with young film creators the full range of knowledge required about production technology in the process of film production, thereby promoting the organic integration of content and technology in the creation of young filmmakers, always maintaining professional creative standards and awareness, and helping to push the film industry towards modernization.<\/p>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<p class=\"has-medium-font-size\"><strong>GUEST SPEAKERS<\/strong><\/p>\r\n\r\n\r\n\r\n<p class=\"has-small-font-size\">*In alphabetical order<\/p>\r\n<p><img loading=\"lazy\" class=\"alignnone wp-image-54602\" src=\"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5198.png\" alt=\"\" width=\"120\" height=\"120\" srcset=\"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5198.png 3072w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5198-300x300.png 300w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5198-1024x1024.png 1024w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5198-150x150.png 150w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5198-768x768.png 768w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5198-1536x1536.png 1536w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5198-2048x2048.png 2048w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><strong><u><b>TIGER KANG \u00a0| \u00a0<\/b><\/u><\/strong><strong><u><b>Director of ARRI S<\/b><\/u><\/strong><strong><u><b>olutions<\/b><\/u><\/strong><strong><u><b>\u00a0of Chinese Film, <\/b><\/u><\/strong><strong><u><b>a<\/b><\/u><\/strong><strong><u><b>\u00a0F<\/b><\/u><\/strong><strong><u><b>ounder<\/b><\/u><\/strong><strong><u><b>\u00a0of ARRI China<\/b><\/u><\/strong><\/p>\r\n<p><img loading=\"lazy\" class=\"alignnone wp-image-54604\" src=\"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5199.png\" alt=\"\" width=\"120\" height=\"120\" srcset=\"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5199.png 789w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5199-300x300.png 300w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5199-150x150.png 150w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5199-768x768.png 768w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><strong><u><b>LAN TIAN \u00a0| \u00a0<\/b><\/u><\/strong><strong><u><b>Youth D<\/b><\/u><\/strong><strong><u><b>irector<\/b><\/u><\/strong><strong><u><b>, Director of SOUTHERN AFTERNOON, Editor of the documentary of THE SUN ALSO RISES, Camera Operator and Editor of the documentary of HIDDEN MAN<\/b><\/u><\/strong><\/p>\r\n<p><img loading=\"lazy\" class=\"alignnone wp-image-54612\" src=\"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5203.png\" alt=\"\" width=\"120\" height=\"120\" srcset=\"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5203.png 273w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5203-150x150.png 150w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><strong><u><b>LIU XINZHU \u00a0| \u00a0<\/b><\/u><\/strong><strong><u><b>C<\/b><\/u><\/strong><strong><u><b>hinese<\/b><\/u><\/strong><strong><u><b>\u00a0Youth Editor, her representative works include OLD BEAST, DWELLING IN THE FUCHUN MOUNTAINS, WU HAI, ALL ABOUT ING, THE CLOUD IN HER ROOM, YANAGAWA<\/b><\/u><\/strong><\/p>\r\n<p><img loading=\"lazy\" class=\"alignnone wp-image-54600\" src=\"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5197.png\" alt=\"\" width=\"120\" height=\"120\" srcset=\"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5197.png 1062w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5197-300x300.png 300w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5197-1024x1024.png 1024w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5197-150x150.png 150w, https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/IMG_5197-768x768.png 768w\" sizes=\"(max-width: 120px) 100vw, 120px\" \/><strong><u><b>ETHAN PARK \u00a0| \u00a0<\/b><\/u><\/strong><strong><u><b>General Manager, Cheif Colorist, and Supervising Digital Colorist of <\/b><\/u><\/strong><strong><u><b>image<\/b><\/u><\/strong><strong><u><b>\u00a0<\/b><\/u><\/strong><strong><u><b>forestt<\/b><\/u><\/strong><strong><u><b>, he has <\/b><\/u><\/strong><strong><u><b>provided<\/b><\/u><\/strong><strong><u><b>\u00a0<\/b><\/u><\/strong><strong><u><b>digital<\/b><\/u><\/strong><strong><u><b>\u00a0intermediate service for hundreds of movies which include BLIND MASSAGE, THE CONTINENT, DYING TO SURVIVE<\/b><\/u><\/strong><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>Technological changes continue to spread of the concept of film industry modernization. The excellence in content expression and technical exploration has led to the increasing refinement of the Chinese film production process and the gradual formation of a chain production model. The boundaries of content creation are being broken down, and audiovisuals are bringing more [&hellip;]<\/p>\n","protected":false},"author":63,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[31],"tags":[],"acf":{"title":"FIRST MART\u00b7FILM TECHNIQUE WORKSHOP","times":{"day":"2022\/07\/31","time":"pm 7:00"},"location":"Oscar Cinema, Screen 3","slug":"","thumbnail":{"square":{"ID":54670,"id":54670,"title":"\u6280\u672f\u5de5\u574a","filename":"\u6280\u672f\u5de5\u574a.jpg","filesize":203484,"url":"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/\u6280\u672f\u5de5\u574a.jpg","link":"https:\/\/www-test.firstfilm.org.cn\/en\/%e6%9c%aa%e5%88%86%e7%b1%bb\/first-mart%c2%b7distribution-workshop-2\/attachment\/%e6%8a%80%e6%9c%af%e5%b7%a5%e5%9d%8a-2\/","alt":"","author":"43","description":"","caption":"","name":"%e6%8a%80%e6%9c%af%e5%b7%a5%e5%9d%8a-2","status":"inherit","uploaded_to":54552,"date":"2022-07-25 13:27:36","modified":"2022-07-25 13:27:36","menu_order":0,"mime_type":"image\/jpeg","type":"image","subtype":"jpeg","icon":"https:\/\/www-test.firstfilm.org.cn\/wp-includes\/images\/media\/default.png","width":1007,"height":1007,"sizes":{"thumbnail":"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/\u6280\u672f\u5de5\u574a-150x150.jpg","thumbnail-width":150,"thumbnail-height":150,"medium":"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/\u6280\u672f\u5de5\u574a-300x300.jpg","medium-width":300,"medium-height":300,"medium_large":"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/\u6280\u672f\u5de5\u574a-768x768.jpg","medium_large-width":640,"medium_large-height":640,"large":"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/\u6280\u672f\u5de5\u574a.jpg","large-width":640,"large-height":640,"1536x1536":"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/\u6280\u672f\u5de5\u574a.jpg","1536x1536-width":1007,"1536x1536-height":1007,"2048x2048":"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/\u6280\u672f\u5de5\u574a.jpg","2048x2048-width":1007,"2048x2048-height":1007,"alm-thumbnail":"https:\/\/www-test.firstfilm.org.cn\/wp-content\/uploads\/2022\/07\/\u6280\u672f\u5de5\u574a-150x150.jpg","alm-thumbnail-width":150,"alm-thumbnail-height":150}}},"form":{"title":"Reserve","url":"https:\/\/www-test.firstfilm.org.cn\/portal\/form\/event\/signup?id=30","target":""}},"_links":{"self":[{"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/posts\/58384"}],"collection":[{"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/comments?post=58384"}],"version-history":[{"count":1,"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/posts\/58384\/revisions"}],"predecessor-version":[{"id":58386,"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/posts\/58384\/revisions\/58386"}],"wp:attachment":[{"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/media?parent=58384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/categories?post=58384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www-test.firstfilm.org.cn\/en\/wp-json\/wp\/v2\/tags?post=58384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}